Some of you know I record once a month. The deadline to submit my accompaniment track and lyrics is usually the week before the recording session. The problem is, I’ve been recording for nearly two years, and I’m running out of “good” tracks. Lately, it’s been a real struggle to get my track in on time because I’ve been having trouble picking songs. If I do find a song I like, more often than not,
a track doesn’t exist (tracks are made for POPULAR songs only)
the only track that does exist is one I can’t get a license for,
the track isn’t in a good key for my range
the track sounds like Ross from Friends recorded it using only a synthesizer
the track has absolutely no dynamics and/or the tempo would put a hyperactive child to sleep
the track sounds too much like the original recording (I want to cover a song, not mimic a song.)
the arrangement is too “busy.” (I like me some acoustic guitar.)
When I really get stuck picking a song, I cheat and look at the praise team set list for the Sunday following the recording sessions (which are usually scheduled on a Friday night or Saturday afternoon). If I pick a praise team song to record the same week the praise team is leading it, I figure at the very least, I’m getting in some extra rehearsal on one of the songs for that week.
Combine my recent song selection challenges with all that I’ve been dealing with this month, (Check out last week’s post entitled “taut-adjective-emotionally-or-mentally-strained-or-tense” to see what I’m talking about), you can probably understand why I hadn’t scheduled myself to record in February.
It would have been the first time I had missed a month since I began recording. I knew I was available for the recording session itself (the first weekend in February), but I honestly didn’t think I had time to prepare for it in the weeks prior. Then, in the middle of last week, I got a call asking if I could fill an open recording session on Saturday from 5pm to 9pm.
I said yes. Sometimes singing in a recording studio for hours is like free therapy.
The only problem was that I had absoflipinlutly NO idea what I was going to sing. The days ticked by. nothin. I’m desperate, so I check the praise team set list for the weeks near the recording session. My next praise team lead is “O the Blood” – which I just recorded in November. So, that won’t work. I check the next week’s set list. Not up yet. Every day, I check the set list. Not up yet.
No easy way out this time.
Finally, I ran out of time. The track and lyrics were due last night, this morning at the latest. And I had to be downtown on client site at 9:30am, so I had to get this DONE before I left house. I went to bed last night with no song selected. I had no plan. I was praying that God would smack me in the head with a song title.
So, this morning, my alarm went off and the very first thing I heard was the introduction to Natalie Grant’s “Your Great Name” which I absolutely LOVE and have been wanting to learn. But seriously. It’s NATALIE GRANT. Have you heard this song!? The ending needs POWER.
Me, arguing with God before I even get out of bed: “no. way.”
God: “Trust me.”
Me: “I can’t do it.”
God: “I can.”
Me: “I have no doubt that YOU can, but I don’t have time to nail that bridge – and that last chorus – AND the harmony AND the background vocals. In FIVE days. It’s too much, too fast. I can’t do it.”
I laid there in bed listening to every. little. detail. of the song, thinking: “No. I can’t do it. Not in FIVE days. Not if I’m gonna do it right. My expectations of how I want it to turn out are too high for FIVE days. It’s too hard to learn in five days. And I don’t want to record it before it’s ready.”
I could almost hear God say, “okay. Then do this:”
And the VERY next song was Mighty to Save.
I came in on the wrong note, but it fit, until midway into the verse, then it was glaringly obvious I was off.
Let the season of doubt begin.
After that, I had no confidence that I could come in on the right note. How could I have started on the wrong note and not even realized it? What if I did it again? How do I recover the song if I come in on the wrong note during worship? The music director offered to play my note on the flute for me. It got to the point where I believed I couldn’t do it without her.
I hated that.
I was determined to break my need for this crutch. I bought the Hillsong version of the song, with the guitar intro. I completely stopped listening to the piano version, even going to the extreme of turning off the radio if it began playing.
I was able to begin on the correct note without the flute playing it in the background. I led the song multiple times over the next few months without a problem.
So what was different about the last time I sang it?
After I came in so effortlessly at the beginning of the pre-service rehearsal, we added keyboard to the intro and rehearsed it again after everyone else had gotten there.
I couldn’t find the note. Actually, I have no idea if I could or couldn’t find the note, because I didn’t try. I just said, “I don’t have it.”
Me and “Mighty to Save.” We have a little history.
Nonetheless, after I got the kids off to school, I sat down at the computer and searched all my “go-to” track making companies. piano. piano. piano. piano. huge band. overwhelming electric guitar . . . and something new. An acoustic arrangement. It had an extra bridge and two extra choruses at the end, but the arrangement was good. Then the company’s website decided to hang on the payment screen. 20 minutes later I abandoned the purchase and looked for it on a third party seller site. Score. At 9:05am, I called my client and told them I would be late, took another 20 minutes to pick a key, uploaded the track, emailed the lyrics and I was DONE.
Drove all the way to the client site doubting my choice.
Of course, when I got home and checked the praise team set list for the following week, you know what was on the list.
Mighty to Save.
I have no idea if I can get the intro right without wasting everyone’s time in the recording session. But God can. And now he has a week of intensified rehearsals to do it.
Now I have to pick a song to record in March. Wonder if it will be “Your Great Name.”